Qualifications
Criteria
- Graduate degree in music or dance and/or commensurate professional experience (terminal degree preferred)
- University teaching experience
- Demonstrated currency in subject matter
- Professional activity in the field
Audio Lecturer - Audio lecturer applicants should: have extensive professional experience in audio engineering, live sound reinforcement, and music production; be proficient in industry- standard software and hardware used in audio production, such as ProTools, Ableton Live, etc.; possess a strong understanding of acoustics, signal flow, digital signal processing, and audio equipment operation; be familiar with emerging trends and technologies in the audio industry, such as immersive audio, virtual reality, and interactive audio; have the ability to design and deliver curricula that cover a wide range of audio topics, including sound recording, mixing, mastering, and live sound techniques; possess excellent communication and interpersonal skills, with the ability to effectively convey complex technical concepts to students with varying levels of expertise; have a demonstrated ability to mentor and support students in their academic and professional development and a commitment to fostering an inclusive and supportive learning environment that values diversity and encourages creative expression.
Conducting Lecturer – Conducting lecturer applicants should: possess a graduate degree in music (conducting degree preferred); have professional experience as a conductor with amateur/professional ensembles or in educational settings; have experience teaching conducting (university teaching experience preferred); possess excellent communication and interpersonal skills with the ability to effectively teach students with varying levels of expertise; be committed to creating an inclusive and supportive classroom rehearsal environment. The successful candidate will be expected to teach one section of conducting in alignment with a second section also taught by another conducting faculty member that semester.
Mariachi Lecturer – Mariachi Lecturer should have extensive professional performative experience in mariachi arts; have university experience teaching mariachi music; possess historical knowledge regarding mariachi performance and culture; be familiar with emerging trends in mariachi arts; have earned a graduate degree; possess excellent communication and interpersonal skills with the ability to effectively teach students with varying levels of expertise; be committed to creating an inclusive and supportive classroom rehearsal environment.
Somatic Lecturer – Somatic Practitioner with experience teaching groups; ISMETA registered and/or completion of ISMETA-approved certification program; experience teaching in higher education and/or in the arts.
Yoga Lecturer – Background in dance or extensive experience working with dancers; minimum 200-hour Yoga Certification (or equivalent) required; ISMETA registered and/or completion of ISMETA-approved certification program OR evidence of formal training in somatic practices.
Dance Techniques – Professional experience related to the specific dance form (e.g., hip hop, ballet, capoeira, Horton, contact improvisation, musical theater, etc.); B.A. or equivalent professional experience; demonstrated ability in creating assignments that embody the dynamic interplay of theory and practice in technical training in dance both in the studio and in outside assignments. Experience and/or interest in working in an integrated dance curriculum where there is both differentiation and linkage between the various technique classes (e.g., hip hop, ballet, capoeira, Horton, contact improvisation, musical theater, etc.) and “technical support” classes (e.g., yoga, Pilates, somatics, etc.).
Intro to Dance – Ability to communicate the functions of dance in culture and society at an introductory level to a large group comprised of both dancers and non-dancers; MFA/Ph.D. in Dance or equivalent professional experience; experience and/or interest in working in an integrated dance curriculum where there is both differentiation and linkage between the Introduction to Dance and performance classes in the Dance Program; currency in the field.
Dance Making Lab – Demonstrated track record of a minimum of 10 years of dancemaking that includes work presented by nationally recognized venues and/or smaller venues where work was selected from nationally recognized panelists from a national pool of applicants. Demonstrated track record of dancemaking that includes sophisticated integration of both set and scored material; MFA in Dance or equivalent professional experience.
Dance Aesthetics & Criticism – Ability to guide dance majors in the application of personal, social, cultural, and political lenses while viewing, discussing, and writing about dance. Support students in navigating changes in the writing process in the age of AI; MFA/PhD in Dance or equivalent professional experience; experience and/or interest in working in an integrated dance curriculum where there is both differentiation and linkage between the Introduction to Dance and performance classes in the Dance Program; experience and/or interest in teaching skills in dance writing; currency in the field.
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